He runs an Apple laptop repair business (and he rants against Apple and other popular tech companies). I think this is better than a lapel clip on because it can be a pain to limit or prevent clothes rubbing.Ĭheck out the YouTube channel of Louis Rossmann if you haven’t before. The obvious advantage there is that the mic is suuuuper close to your mouth and since it’s attached to your head, it will always be the same distance. The second best option, if you really want something more low profile, would be a head worn mic. I’d rather a giant microphone be in your shot that records clean, crisp audio than having a mic attached to the camera. And it be on your desk with a stand or adjustable arm, 4 inches or from your mouth. Like a radio host or podcaster would have. To me l the best thing would be a large diaphragm condenser mic. And use the correct style or microphone for your environment. To sum it up, get the microphone off the camera (or definitely stop using the built in one) and closer to your mouth. If you’re indoors in a non treated room, with the camera several feet away because that gets you the better camera shot, you really can’t save that in post. That would only sound particularly nice outside with the camera never more than 2 feet away pointed directly at the person’s face (since a shotgun mic is very directional as well, being off axis can happen quickly and freely affects the frequencies being picked up if it’s not constantly being moved to follow the source, ie someone’s mouth). And it’s attached to the camera shoe mount. I know for many “noobs”, they see YouTubers promote or hype up something like the Rode Videomic pro, or it’s just one of the first things that comes up in a search for a microphone for your DSLR/mirrorless camera, and it seems convenient because it has a built in shoe mount and cable. Which is basically any normal home or office. Well, ideally you would never use a shotgun microphone indoors, especially in a room that isn’t acoustically treated. Like, you wouldn’t use a sledgehammer put up a nail to hang a picture frame on. When really, they should be view as specialty tools with very specific applications. Too often I see people enamored with a shotgun mic, and seem to treat them as ubiquitous to being microphones for video and movies. There is no one perfect microphone for all situations. The style and pickup pattern of the mic, and the environment you’re in. And even then that may not solve all your problems. (If you’re really tall with really long arms that might still be too far away lol) That’s a basic rule to start with but you should really aim to be even close than max arm distance. You can’t “zoom in” a microphone like a lens.Ī good rule of thumb is that you should be able to comfortably reach out and touch the mic. A $100 mic that’s 10 inches away will sound better than a $1000 mic 10 feet away. Mic distance and placement are by far the biggest factors. Look up the inverse square law for audio if you really want a deep dive and do some research. In a basic sense, your mic is too far away.
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